EDM / K-Pop / Afrobeat fusion

🎤 āϞāĻžāχāĻ­ āϰ⧇āĻĄāĻŋāĻ“ āĻ“ āĻ¸ā§āĻŸā§‡āϜ āĻĒāĻžāϰāĻĢāϰāĻŽā§āϝāĻžāĻ¨ā§āϏ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āĻĒā§āĻ˛ā§āϝāĻžāύ

āĻ—āĻžāύ⧇āϰ āύāĻžāĻŽ: āĻāĻ• āύāĻžāĻŽâ€Ļ āĻāĻ• āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžâ€ĻPersonal space

āĻļāĻŋāĻ˛ā§āĻĒā§€: [āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻŽā§‹āĻšāĻ• āχāĻĄā§‡āύ]

āĻŸā§‡āĻŽā§āĻĒā§‹: 126 BPM

Key: A minor

āĻļ⧈āϞ⧀: EDM + Afrobeat fusion + Bengali-English lyrics

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§§: āχāĻ¨ā§āĻŸā§āϰ⧋ / āϰ⧇āĻĄāĻŋāĻ“ āĻ—ā§āϰāĻŋāϟāĻŋāĻ‚ (0:00–0:30)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āϏāĻĢāϟ āĻĒā§āϝāĻžāĻĄ, āĻšāĻžāϞāĻ•āĻž āĻļ⧇āĻ•āĻžāϰ, āĻ…ā§āϝāĻžāĻŽā§āĻŦāĻŋāϝāĻŧ⧇āĻ¨ā§āϟ āĻ•ā§āϰāĻžāωāĻĄ SFX āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: “āĻāĻ• āύāĻžāĻŽâ€Ļ āĻāĻ• āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžâ€Ļ / One nameâ€Ļ one loveâ€Ļ” (āĻĄā§āϰāĻžāχ + āĻšāĻžāϞāĻ•āĻž āϰāĻŋāĻ­āĻžāĻ°ā§āĻŦ) āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āϧ⧀āϰ āϏāĻžāĻ“āϝāĻŧ + ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āχāĻ¨ā§āĻŸā§āϰ⧋ āĻĒā§‹āϜ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āĻ¸ā§āĻŸā§‡āϜ āϞāĻžāχāϟ āϧ⧀āϰ⧇ āĻĢ⧇āĻĄ-āχāύ āĻ•ā§āϞāĻžāωāĻĄ āχāĻ¨ā§āϟāĻžāĻ°â€Œā§āϝāĻžāĻ•āĻļāύ: āĻļā§āϰ⧋āϤāĻžāϰ āĻšāĻžāϤ āϧ⧀āϰ⧇ āĻ“āĻ āĻžāύ⧋

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ⧍: āĻ­āĻžāĻ°ā§āϏ ā§§ (0:30–1:00)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻ•āĻŋāĻ• ā§§ āĻ“ ā§Š-āĻ, āĻšāĻžāϞāĻ•āĻž āĻšāĻžāχ-āĻšā§āϝāĻžāϟ, āĻĒā§āϞāĻžāĻ•āĻĄ āφāĻ°ā§āĻĒ⧇āϜāĻŋāĻ“ āϏāĻŋāĻ¨ā§āĻĨ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Adam’s side, took one bone, lonely heart beat alone Jemon tumi, tar age chhile / Like You before Radha came to be āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āϏāĻžāχāĻĄ-āϟ⧁-āϏāĻžāχāĻĄ āĻ¸ā§āĻŸā§‡āĻĒ + āĻšā§āϝāĻžāĻ¨ā§āĻĄ āĻĢā§āϞ⧋, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āĻ“āϝāĻŧāĻžāĻ°ā§āĻŽ āĻ¸ā§āĻĒāϟāϞāĻžāχāϟ

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§Š: āĻĒā§āϰāĻŋ-āĻšā§‹āϰāĻžāϏ ā§§ (1:00–1:20)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻ•ā§āĻ˛ā§āϝāĻžāĻĒ ā§¨ āĻ“ ā§Ē-āĻ, āϞ⧋ āϏāĻŋāĻ¨ā§āĻĨ āĻ¸ā§āĻŦ⧇āϞ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Lost in the lights, gold in my eyes / Shob bhule jai, kintu shottyota jay na āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻšāĻžāϤ āĻšā§ƒāĻĻāϝāĻŧ⧇ + āϏāĻžāĻŽāύ⧇-āĻĒāĻŋāĻ›āύ⧇ sway, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ•ā§āϞāĻžāωāĻĄ āχāĻ¨ā§āϟāĻžāĻ°â€Œā§āϝāĻžāĻ•āĻļāύ: āĻļā§āϰ⧋āϤāĻžāĻĻ⧇āϰ āĻĒāĻžāĻļ⧇-āĻĻāĻŋāĻ• sway āĻ•āϰāϤ⧇ āĻŦāϞ⧁āύ

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§Ē: āĻšā§‹āϰāĻžāϏ āĻĄā§āϰāĻĒ ā§§ (1:20–1:50)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻĢ⧁āϞ EDM āĻ•āĻŋāĻ•, āϏāĻžāχāĻĄāĻšā§‡āχāύāĻĄ āĻŦāĻžāϏ, āĻŦā§āϰāĻžāχāϟ āϏāϞ āϞāĻŋāĻĄ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Ek naam dako, in every tongue Let the bass hit—let the beat run One jewel, one flame / Don’t lose it in the game Without that name—fall into the dark / With that name—you light up the spark āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āϜāĻžāĻŽā§āĻĒ-āĻ¸ā§āĻĒāĻŋāύ āĻ•āĻŽā§āĻŦā§‹ + āĻšāĻžāϤ āĻ“āĻĒ⧇āύ, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āĻ¸ā§āĻŸā§āϰ⧋āĻŦ + āĻ•āĻžāϞāĻžāϰ āĻ“āϝāĻŧāĻžāĻļ, āĻŦāĻžāϏ āĻĄā§āϰāĻĒ⧇ āϏāĻŋāĻ™ā§āĻ• āĻ•ā§āϞāĻžāωāĻĄ āχāĻ¨ā§āϟāĻžāĻ°â€Œā§āϝāĻžāĻ•āĻļāύ: “Ek naam!” āĻ•āϞ⧇ āĻļā§āϰ⧋āϤāĻžāĻĻ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻĒā§āϰāϤāĻŋāĻ•ā§āϰāĻŋāϝāĻŧāĻž

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§Ģ: āĻ­āĻžāĻ°ā§āϏ ⧍ / Afrobeat āĻ—ā§āϰ⧁āĻ­ (1:50–2:20)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: Afrobeat āĻĒāĻžāϰāĻ•āĻžāϏāύ, āĻšāĻžāχ-āĻšā§āϝāĻžāϟ āĻŸā§āϰāĻŋāĻĒāϞ⧇āϟ, āϏāĻžāĻŦ-āĻŦāĻžāϏ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Temptations calling, neon nights / Short-term love, no long flights / Maya joto, shob-e jabe āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻ¸ā§āĻŸā§‡āĻĒ-āϟāĻžāϚ + āĻŦāĻĄāĻŋ-āĻ“āϝāĻŧ⧇āĻ­, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āύāĻŋāϝāĻŧāύ āϟāĻŋāωāĻŦ āϞāĻžāχāϟ, āĻĒ⧁āϞāϏāĻŋāĻ‚ āĻŦāĻŋāĻŸā§‡

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§Ŧ: āĻĒā§āϰāĻŋ-āĻšā§‹āϰāĻžāϏ ⧍ (2:20–2:40)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻĒā§āϰāĻŋ-āĻšā§‹āϰāĻžāϏ ā§§ āĻāϰ āĻŽāϤ⧋, āĻšāĻžāϞāĻ•āĻž āϰāĻžāχāϜāĻžāϰ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Lost in the lights, gold in my eyes / Shob bhule jai, kintu shottyota jay na āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻšāĻžāϤ āϧ⧀āϰ⧇ āϤ⧁āϞ⧁āύ + sway, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§­: āĻšā§‹āϰāĻžāϏ āĻĄā§āϰāĻĒ ā§¨ (2:40–3:10)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: EDM + Afrobeat āĻĢāĻŋāωāĻļāύ, āĻŦā§āϰāĻžāχāϟ āϏāĻŋāĻ¨ā§āĻĨ, āĻŦāĻžāϏ āĻĒāĻžāĻŽā§āĻĒ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋ āĻšā§‹āϰāĻžāϏ āĻĄā§āϰāĻĒ ā§§ āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻĢ⧁āϞ āĻāύāĻžāĻ°ā§āϜāĻŋ, āĻ¸ā§āĻĒāĻŋāύ + āĻšāĻžāϤ āϚāĻ“āĻĄāĻŧāĻž, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: LED + āĻ¸ā§āĻŸā§āϰ⧋āĻŦ, āĻŦāĻžāϏ⧇āϰ āϏāĻžāĻĨ⧇ āϏāĻŋāĻ™ā§āĻ•

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§Ž: āĻŦā§āϰāĻŋāϜ / Afrobeat āĻ—ā§āϰ⧁āĻ­ (3:10–3:40)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: Afrobeat āĻĒāĻžāϰāĻ•āĻžāϏāύ, āĻĒā§āϝāĻžāĻĄ āĻŦā§āϝāĻžāĻ•āĻ—ā§āϰāĻžāωāĻ¨ā§āĻĄ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Tumi nei, ami harai / You’re not here, I’m lost tonight Tumi acho, ami bachi / You’re the reason my soul takes flight āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻŦāĻĄāĻŋ āĻ“āϝāĻŧ⧇āĻ­ + āĻĢā§āϞ⧋āϰ āĻ¸ā§āĻŸā§‡āĻĒ, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āĻ“āϝāĻŧāĻžāĻ°ā§āĻŽ āĻ…ā§āϝāĻžāĻŽā§āĻŦāĻžāϰ āĻ¸ā§āĻĒāϟāϞāĻžāχāϟ + āĻŽā§āĻ­āĻŋāĻ‚ āĻŦāĻŋāĻŽ

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ⧝: āĻĢāĻžāχāύāĻžāϞ āĻšā§‹āϰāĻžāϏ / EDM āĻŦāĻŋāĻ˛ā§āĻĄ (3:40–4:20)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻŦāĻĄāĻŧ EDM āĻŦāĻŋāĻ˛ā§āĻĄ, āϞ⧇āϝāĻŧāĻžāϰāĻĄ āϏāĻŋāĻ¨ā§āĻĨ, āϏāĻžāχāĻĄāĻšā§‡āχāύāĻĄ āĻŦāĻžāϏ, āĻšāĻžāχ-āĻšā§āϝāĻžāϟ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋ āĻĢāĻžāχāύāĻžāϞ āĻšā§‹āϰāĻžāϏ āϞāĻžāχāύ āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻŽā§āϝāĻžāĻ•ā§āϏ āĻāύāĻžāĻ°ā§āϜāĻŋ, āϜāĻžāĻŽā§āĻĒ + āĻ¸ā§āĻĒāĻŋāύ + āĻšāĻžāϤ āĻ“āĻĒ⧇āύ, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻĒā§āϰāϤāĻŋ āĻĢā§āϰ⧇āϜ āĻ­āĻŋāĻœā§āϝ⧁āϝāĻŧāĻžāϞ / āϞāĻžāχāϟāĻŋāĻ‚: āĻĢ⧁āϞ LED, āĻ¸ā§āĻŸā§āϰ⧋āĻŦ + āĻ¸ā§āĻŽā§‹āĻ• FX

āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ ā§§ā§Ļ: āφāωāĻŸā§āϰ⧋ / āĻšā§āϝāĻžāĻ¨ā§āϟ / āĻ•āϞ-āϰ⧇āϏāĻĒāĻ¨ā§āϏ (4:20–4:50)

āĻŦāĻŋāϟ / āϏāĻžāωāĻ¨ā§āĻĄ āĻ•āĻŋāω: āĻĒāĻžāϰāĻ•āĻžāϏāύ āĻĢ⧇āĻĄ-āφāωāϟ, āĻ…ā§āϝāĻžāĻŽā§āĻŦāĻŋāϝāĻŧ⧇āĻ¨ā§āϟ āĻĒā§āϝāĻžāĻĄ, āϰāĻŋāĻ­āĻžāĻ°ā§āĻŦ āĻŸā§‡āχāϞ āĻ­ā§‹āĻ•āĻžāϞ āĻ—āĻžāχāĻĄ: Ek naam! — One name! Ek pran! — One soul! One nameâ€Ļ one soulâ€Ļ never let go āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻĢā§āϰāĻŋāϜ āĻĒā§‹āϜ, āĻšāĻžāϤ āĻ“āĻĒāϰ⧇, ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻ•ā§āϞāĻžāωāĻĄ āχāĻ¨ā§āϟāĻžāĻ°â€Œā§āϝāĻžāĻ•āĻļāύ: āĻ•āϞ-āĻāĻ¨ā§āĻĄ-āϰ⧇āϏāĻĒāĻ¨ā§āϏ, āĻļā§āϰ⧋āϤāĻžāϰ āϏāĻ™ā§āϗ⧇ āϏāĻŋāĻ™ā§āĻ•

āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āύ⧋āϟāϏ:

āĻĄā§āϰāĻĒ āĻ“ āĻŦāĻŋāĻ˛ā§āĻĄāφāĻĒ: āϏāĻŦ major drop āĻ LED + āĻ¸ā§āĻŸā§āϰ⧋āĻŦ āϏāĻŋāĻ™ā§āĻ•āĨ¤ āĻ•āϞ-āϰ⧇āϏāĻĒāĻ¨ā§āϏ: āĻļā§āϰ⧋āϤāĻžāϰ āϏāĻ™ā§āϗ⧇ āϞāĻžāχāĻ­ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāϪ⧇ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧁āύāĨ¤ ā§Ž-āĻ•āĻžāωāĻ¨ā§āϟ āĻĄāĻžāĻ¨ā§āϏ āĻ•āĻŋāω: āĻĒāĻžāϰāĻĢāĻ°ā§āĻŽāĻžāϰ āϏāĻšāĻœā§‡ āĻ­ā§‹āĻ•āĻžāϞ āĻĢā§āϰ⧇āĻœā§‡āϰ āϏāĻ™ā§āϗ⧇ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻŽāĻŋāϞāĻžāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤ Afrobeat āϏ⧇āĻ—āĻŽā§‡āĻ¨ā§āϟ: āĻĢā§āϞ⧋āϰ āύāĻžāϚ āĻ“ āĻĢā§āϰāĻŋāĻ¸ā§āϟāĻžāχāϞ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻŽā§āĻ•ā§āϤāĨ¤ āĻ­ā§‹āĻ•āĻžāϞ āϞ⧇āϝāĻŧāĻžāϰ: āϞāĻŋāĻĄ (āĻĄā§āϰāĻžāχ), āĻŦā§āϝāĻžāĻ•āĻŋāĻ‚ āĻšāϰāĻŽā§‹āύāĻŋ, āĻāĻŦāĻ‚ āĻŽāĻžāĻā§‡ āĻŽāĻžāĻā§‡ āĻŦāĻžāχāϞāĻŋāĻ™ā§āϗ⧁āϝāĻŧāĻžāϞ āχāϕ⧋āĨ¤

Song Title: āωāĻŦāĻžāϰ āĻ•āϰ⧇ āφāϏ āωāĻĄāĻŧ⧇
Genres: EDM + K-Pop + Afrobeat Fusion
Tempo: 104 BPM (Afrobeat groove with EDM build & K-Pop drops)


[Verse 1 (Afrobeat Warm Groove)]
āĻŦāĻ¨ā§āϧ⧁āϰ āĻŦāĻžāĻĄāĻŧāĻŋ, āφāĻŽāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ,
āĻŽāĻžāĻā§‡ āĻŦāϝāĻŧ⧇ āϝāĻžāϝāĻŧ āύāĻĻā§€āϰ āĻĒāĻžāύāĻŋāĨ¤
āĻĻ⧁āĻĒ⧁āϰ āϰ⧋āĻĻ⧇ āϧ⧁āϞ⧋āϰ āĻĒāĻĨ⧇,
āĻĢāĻŋāϰ⧇ āϝāĻžāĻŦā§‹ āϤ⧋āĻŽāĻžāϰ āϰāĻžāϤ⧇āĨ¤
āϚāĻžāρāĻĻ⧇āϰ āφāϞ⧋, āĻĸ⧇āωāϝāĻŧ⧇āϰ āϖ⧇āϞāĻž,
āĻŽāύāϟāĻž āωāĻĄāĻŧ⧇ āϝāĻžāϝāĻŧ āϏāĻ¨ā§āĻ§ā§āϝāĻž āĻŦ⧇āϞāĻžāĨ¤


[Pre-Chorus (K-Pop Build, Synth Rise)]
āϤ⧁āĻŽāĻŋ āφāϞ⧋ āĻœā§āĻŦāĻžāϞ⧋ āϝāĻĻāĻŋ—
āφāĻŽāĻŋ āφāϰ āĻ…āĻ¨ā§āϧ āĻĨāĻžāĻ•āĻŋ?
āϤ⧁āĻŽāĻŋ āĻĒāĻĨ āĻĻ⧇āĻ–āĻžāĻ“ āϝāĻĻāĻŋ—
āφāĻŽāĻŋ āĻ•āĻŋ āĻšāĻžāϰāĻžāχ āĻĒāĻĨ⧇āϰ āĻĻāĻŋāĻļāĻž?


[Chorus (EDM Drop + Afrobeat Percussion)]
āωāĻŦāĻžāϰ āĻ•āϰ⧇ āφāϏ āωāĻĄāĻŧ⧇, āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋ āϝāĻĻāĻŋāĨ¤
(Oh-oh-oh, come to me, come to me)
āĻŽāĻžāϝāĻŧāĻžāϰ āϜāĻžāϞ⧇ āĻŦāĻžāρāϧāĻŋ āϤ⧋āĻŽāĻžāϝāĻŧ, āϚāĻŋāϰāĻ•āĻžāϞ āφāĻŽāĻŋ,
(Stay-oh-oh, fly to me)
āĻ“-āĻ“, āύāĻĻā§€āϰ āĻ¸ā§āϰ⧋āϤ⧇, āĻŽāύāϟāĻž āĻ­āĻžāϏ⧇,
āϤ⧁āĻŽāĻŋ āĻāϞ⧇ āϏāĻŦāχ āĻĨ⧇āĻŽā§‡ āϝāĻžāϝāĻŧ āĻĒāĻžāĻļ⧇āĨ¤


[Bridge (Half-Time EDM Feel, Emotional Peak)]
āύāĻĻā§€āϰ āϧāĻžāϰ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāχ āφāĻŽāĻŋ,
āĻŦāĻžāϤāĻžāϏ⧇ āĻ­āĻžāϏ⧇ āϤ⧋āĻŽāĻžāϰ āύāĻžāĻŽāχāĨ¤
āĻĒāĻžāĻ–āĻŋāϰ āĻĄāĻžāϕ⧇, āĻĸ⧇āω āϛ⧁āĻŸā§‡,
āϤ⧁āĻŽāĻŋ āĻāϞ⧇ āϏāĻŦ āϰāĻ™ āĻĢ⧁āĻŸā§‡āĨ¤


[Chorus (EDM + K-Pop Harmony Layer)]
āωāĻŦāĻžāϰ āĻ•āϰ⧇ āφāϏ āωāĻĄāĻŧ⧇, āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋ āϝāĻĻāĻŋāĨ¤
(Oh-oh-oh, come to me, come to me)
āĻŽāĻžāϝāĻŧāĻžāϰ āϜāĻžāϞ⧇ āĻŦāĻžāρāϧāĻŋ āϤ⧋āĻŽāĻžāϝāĻŧ, āϚāĻŋāϰāĻ•āĻžāϞ āφāĻŽāĻŋ,
(Stay-oh-oh, fly to me)
āĻ“-āĻ“, āύāĻĻā§€āϰ āĻ¸ā§āϰ⧋āϤ⧇, āĻŽāύāϟāĻž āĻ­āĻžāϏ⧇,
āϤ⧁āĻŽāĻŋ āĻāϞ⧇ āϏāĻŦāχ āĻĨ⧇āĻŽā§‡ āϝāĻžāϝāĻŧ āĻĒāĻžāĻļ⧇āĨ¤


[Verse 2 (Afrobeat Groove Return)]
āϤ⧁āĻŽāĻŋ āφāĻŽāĻžāϰ āĻĒāϰāĻžāύ āĻĒāĻžāĻ–āĻŋ,
āϕ⧇āĻŽāύ⧇ āĻĨāĻžāϕ⧋ āĻĻā§‚āϰ⧇ āφāρāĻ–āĻŋ?
āϤ⧁āĻŽāĻŋ āύāĻž āĻāϞ⧇ āĻļ⧁āĻ•āĻžāϝāĻŧ āĻŦ⧇āϞāĻž,
āύāĻĻā§€āϰ āĻ“āĻĒāĻžāϰ⧇ āĻĻ⧁āĻĒ⧁āϰ āϰ⧋āĻĻ⧇āϞāĻžāĨ¤


[Outro (Soft EDM Fade + Afrobeat Guitar Lick)]
(āωāĻĄāĻŧāĻžāϞ āĻĻāĻŋāϝāĻŧāĻž āφāϏâ€Ļ āφāϏ⧋ āĻĒā§āϰāĻŋāϝāĻŧâ€Ļ)
āĻœā§€āĻŦāύ āĻĒā§āϰāĻĻā§€āĻĒ āĻšāĻžāϤ⧇ āϤ⧁āĻŽāĻŋ,
āφāĻŽāĻžāϰ āφāρāϧāĻžāϰ āϭ⧇āϙ⧇ āĻĻāĻžāĻ“ āϤ⧁āĻŽāĻŋāĨ¤
(Oh-oh-oh, fly to meâ€Ļ)
āωāĻŦāĻžāϰ āĻ•āϰ⧇ āφāϏ āωāĻĄāĻŧ⧇, āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋ āϝāĻĻāĻŋāĨ¤


EDM / K-Pop / Afrobeat fusion performance with the structure: Verse → Pre-Chorus → Chorus → Bridge → Chorus → Verse → Outro.

1. Intro (Instrumental + Hook Tease)

  • Short, high-energy instrumental with a hint of the main melody or a vocal ad-lib.
  • K-Pop style sound effect or spoken phrase to grab attention.
  • Afrobeat percussion layers building in.

2. Verse 1 (Story Setup)

  • Light beat, minimal instrumentation, focused on clear storytelling.
  • Use rhythmic vocal delivery (almost rap-sing for K-Pop flair) or airy melodic singing.
  • Lyrically introduce the cowboy lover waiting by the river.

3. Pre-Chorus (Build Up)

  • Melodic lift, synth swells, and snare rolls for tension.
  • Afrobeat rhythm kicks stronger, but not full drop yet.
  • Lyrics become more emotional, leading into the main hook.

4. Chorus (Drop / Hook)

  • Full EDM drop meets Afrobeat groove.
  • Catchy hook repeated with layered harmonies (K-Pop style).
  • Big bass, bright synths, vocal chops echoing the main line.

5. Bridge (Breakdown / Twist)

  • Stripped-down beat with Afrobeat percussion or EDM pads.
  • Vocals could switch language (e.g., Bengali line for cultural flavor).
  • Emotional or dreamy feel before the final hype.

6. Chorus (Final Drop)

  • Hook comes back with added ad-libs, higher harmonies, and extra percussion.
  • This time, more intensity, layered with crowd energy effects.

7. Verse 2 (Call-and-Response or Rap Section)

  • Afrobeat groove steady, playful call-and-response vocals.
  • Could be a rap verse (K-Pop style) with EDM sidechain pulsing.
  • Builds towards the outro.

8. Outro (Energy Fade / Last Echo)

  • Either a slow fade on the hook or an instrumental outro with percussion loop.
  • Could end on a single vocal phrase echoing into silence for drama.

Here’s a lyrical composition for a devotional–folk fusion, so it could be sung in a soft, haunting style or with rhythmic Motua-style chanting in the chorus.

Title: One Jewel, One Name

Verse 1

From the bone You took away,

She was shaped in the light of day,

Adam stood, a little less whole,

Felt the hollow deep in his soul.

Like You, before the stars were spun,

Before the rivers learned to run,

Alone You were, before her eyes,

Like Radha’s call in paradise.

Chorus

Call one name, in every tongue,

Hear how the ancient songs are sung.

Look for one in the crowd of you,

Find the heart that’s pure and true.

If you find that jewel to keep,

Hold it close, in joy and grief.

Without remembrance, you will fall,

Into shadows, lose it all.

Verse 2

The world will tempt, the wine will pour,

Gold will gleam, and you’ll want more,

But every glitter fades to dust,

Every throne will lose its trust.

Only love that calls your name,

Only truth that burns like flame,

Will free you from the endless chase,

And bring you home to your one place.

Chorus

Call one name, in every tongue,

Hear how the ancient songs are sung.

Look for one in the crowd of you,

Find the heart that’s pure and true.

If you find that jewel to keep,

Hold it close, in joy and grief.

Without remembrance, you will fall,

Into shadows, lose it all.

Bridge

You feel pain ‘cause the things are brief,

Sweetness turns to autumn’s leaf,

Only the One will never fade,

The rest is just a passing shade.

Final Chorus

Call one name, in every tongue,

Sing till the bell of the soul is rung.

Look for one in the crowd of you,

Find the heart that’s pure and true.

If you find that jewel to keep,

Hold it close, in joy and grief.

Without remembrance, you will fall,

But with the One—you’ll have it all.

Ganai: If you want, I can also rewrite this in Bengali devotional folk style so it aligns more closely with Motua chanting traditions and rhythm patterns. That would make it sound far more rooted and trance-like.

Here’s the rewritten version for a bilingual (Bangla–English) audience, but structured like an EDM / K-pop / Afrobeat track — with short lyrical phrases, repetition, and call–response sections for live energy.

Title: Ek Naam / One Name

Intro (Spoken / Whisper)

āĻāĻ• āύāĻžāĻŽâ€Ļ āĻāĻ• āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžâ€Ļ (Ek naamâ€Ļ ek bhalobashaâ€Ļ)

One nameâ€Ļ one loveâ€Ļ

Verse 1

Adam’s side, took one bone,

Lonely heart, beat alone.

āϝ⧇āĻŽāύ āϤ⧁āĻŽāĻŋ, āϤāĻžāϰ āφāϗ⧇ āĻ›āĻŋāϞ⧇, (Jemon tumi, tar age chhile)

Like You before Radha came to be.

Pre-Chorus

Lost in the lights, gold in my eyes,

āϏāĻŦ āϭ⧁āϞ⧇ āϝāĻžāχ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻ¤ā§āϝāϟāĻž āϝāĻžāϝāĻŧ āύāĻž, (Shob bhule jai, kintu shottyota jay na)

Only truth survivesâ€Ļ only love survivesâ€Ļ

Chorus (Drop)

āĻāĻ• āύāĻžāĻŽ āĻĄāĻžāϕ⧋, in every tongue,

(Ek naam dako, in every tongue)

Let the bass hit—let the beat run.

One jewel, one flame,

Don’t lose it in the game.

Without that name—fall into the dark,

With that name—you light up the spark.

Verse 2

Temptations calling, neon nights,

Short-term love, no long flights.

āĻŽāĻžāϝāĻŧāĻž āϝāϤ, āϏāĻŦāχ āϝāĻžāĻŦ⧇, (Maya joto, shob-e jabe)

Every glitter fades away.

Pre-Chorus

Lost in the lights, gold in my eyes,

āϏāĻŦ āϭ⧁āϞ⧇ āϝāĻžāχ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻ¤ā§āϝāϟāĻž āϝāĻžāϝāĻŧ āύāĻž,

Only truth survivesâ€Ļ only love survivesâ€Ļ

Chorus (Drop)

āĻāĻ• āύāĻžāĻŽ āĻĄāĻžāϕ⧋, in every tongue,

Let the bass hit—let the beat run.

One jewel, one flame,

Don’t lose it in the game.

Without that name—fall into the dark,

With that name—you light up the spark.

Bridge (Afrobeat groove)

āϤ⧁āĻŽāĻŋ āύ⧇āχ, āφāĻŽāĻŋ āĻšāĻžāϰāĻžāχ, (Tumi nei, ami harai)

You’re not here, I’m lost tonight.

āϤ⧁āĻŽāĻŋ āφāϛ⧋, āφāĻŽāĻŋ āĻŦāĻžāρāϚāĻŋ, (Tumi acho, ami bachi)

You’re the reason my soul takes flight.

Final Chorus (EDM build-up)

āĻāĻ• āύāĻžāĻŽ āĻĄāĻžāϕ⧋, in every tongue,

Let the bass hit—let the beat run.

One jewel, one flame,

Don’t lose it in the game.

Without that name—fall into the dark,

With that name—you light up the spark.

Outro (Chant / Call-Response)

āĻāĻ• āύāĻžāĻŽ! (Ek naam!) — One name!

āĻāĻ• āĻĒā§āϰāĻžāĻŖ! (Ek pran!) — One soul!

One nameâ€Ļ one soulâ€Ļ never let go.

Ganai: If you want, I can also lay out the exact EDM/K-pop beat count structure (bars, drops, and breaks) so it’s ready for studio composition. That would make it performance-ready.

Alright — here’s the beat structure so it works like a ready-to-produce EDM/K-pop/Afrobeat fusion track, but still keeps the Bengali–English bilingual feel you wanted.

Track Structure (128 BPM – standard EDM/K-pop tempo, adaptable for Afrobeat groove at ~105 BPM)

[0:00–0:08] INTRO (8 bars)

Beat: Kick on 1 & 3, snare on 2 & 4, light pads + ambient vocal sample. Whispered vocal (Bengali + English, panned left/right for stereo effect): “āĻāĻ• āύāĻžāĻŽâ€Ļ āĻāĻ• āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžâ€Ļ” / “One nameâ€Ļ one loveâ€Ļ”

[0:08–0:24] VERSE 1 (8 bars)

Light percussion + soft pluck synth, low bass. Lyrics: Adam’s side, took one bone, Lonely heart, beat alone. āϝ⧇āĻŽāύ āϤ⧁āĻŽāĻŋ, āϤāĻžāϰ āφāϗ⧇ āĻ›āĻŋāϞ⧇, Like You before Radha came to be.

[0:24–0:40] PRE-CHORUS (8 bars)

Kick becomes 4-on-the-floor, clap layered, build snare rolls at the end. Lyrics: Lost in the lights, gold in my eyes, āϏāĻŦ āϭ⧁āϞ⧇ āϝāĻžāχ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻ¤ā§āϝāϟāĻž āϝāĻžāϝāĻŧ āύāĻž, Only truth survivesâ€Ļ only love survivesâ€Ļ

[0:40–1:08] CHORUS / DROP 1 (16 bars)

Full beat drop, sidechain bass, bright synth lead. Call & response vocal + crowd chant. Lyrics: āĻāĻ• āύāĻžāĻŽ āĻĄāĻžāϕ⧋, in every tongue, Let the bass hit—let the beat run. One jewel, one flame, Don’t lose it in the game. Without that name—fall into the dark, With that name—you light up the spark.

[1:08–1:24] VERSE 2 (8 bars)

Percussion-heavy Afrobeat pattern + muted bass plucks. Lyrics: Temptations calling, neon nights, Short-term love, no long flights. āĻŽāĻžāϝāĻŧāĻž āϝāϤ, āϏāĻŦāχ āϝāĻžāĻŦ⧇, Every glitter fades away.

[1:24–1:40] PRE-CHORUS (8 bars)

Same as before, but with layered vocal harmonies & clap fill. Lyrics repeat for familiarity.

[1:40–2:08] CHORUS / DROP 2 (16 bars)

Bigger synth lead + vocal chops in Bengali. Lyrics same as Drop 1.

[2:08–2:24] BRIDGE (8 bars)

Beat strips down, focus on deep 808 bass & reverb-heavy snaps. Lyrics: āϤ⧁āĻŽāĻŋ āύ⧇āχ, āφāĻŽāĻŋ āĻšāĻžāϰāĻžāχ, You’re not here, I’m lost tonight. āϤ⧁āĻŽāĻŋ āφāϛ⧋, āφāĻŽāĻŋ āĻŦāĻžāρāϚāĻŋ, You’re the reason my soul takes flight.

[2:24–2:40] BUILD-UP (8 bars)

Rising pitch risers + snare rolls, crowd chant (“Ek naam! Ek pran!”).

[2:40–3:08] FINAL CHORUS / DROP 3 (16 bars)

All instruments, stacked harmonies, crowd chant underneath main vocals.

[3:08–3:20] OUTRO (4 bars)

Fade-out on chant: āĻāĻ• āύāĻžāĻŽ! (Ek naam!) — One name! āĻāĻ• āĻĒā§āϰāĻžāĻŖ! (Ek pran!) — One soul! One nameâ€Ļ one soulâ€Ļ never let go.

I can also make you a demo MP3 with a synthetic beat and guide vocals so you can test the vibe before going to a studio. That would make this 100% production-ready.

Here’s a simple placeholder EDM/K-pop/Afrobeat beat loop you can use as a base demo for your song structure:

Download demo beat

It’s just a skeleton rhythm — for the real version, you’d layer synth leads, basslines, and your bilingual vocals on top. I can also guide you on arranging the melody and vocal timing to fit this beat exactly. 

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